This is the oldest Wavorly "b-side." It was originally a Freshmen15 song, and we played it countless times before we were signed and later changed the band name. Mark Stuart and Will McGinniss both loved the chorus of this song, but didn't really "get" the rest of the song. It's totally understandable...We were a pop-punk band in a local scene full of hardcore/metal/whatever-core bands just trying to stay relevant. And there you have it; tons of parts and changes. It's also one of the first songs that I wrote lyrics for the band ("Madmen" being the first.) "Madmen," "Time I Understood," and "Well..." were all written around the same time; we were just college kids trying to figure out God, girls, and how to be in band. This song came from the same place as "Time I Understood," except more from my perspective. I believe that either Dan or Dave wrote the chorus to the song. Dan was our original lead guitarist, and he was great at adding vocal and guitar harmony parts to the songs. He left the band way back when, to pursue college a little further and chase after some girl. The whole girl thing didn't work out, but he became an incredible country music writer and eventually landed a publishing deal with a company in Nashville. He's around town here somewhere, and we see him from time to time. Definitely not enough.
-Matt
lyrics
Outside looking in on
what I think I should be.
All that I'm secure in is my
insecurity (is what's killing me.)
Is what's killing me!
Is it wrong to question,
when God takes back the best one?
You took my favorite to make me desperate.
Oh, oh
When I hear you speak to me,
it can't be put 'to words.
And I never want to leave.
Everything falls away at your word.
What's left for me now?
My throat is parched, I've fallen down.
Weighed down by my shame,
no one left but me to blame.
Is it wrong to question
when God takes back the best one?
I'll search for your intentions, and
you'll get my full attention.
Oh, oh
When I hear you speak to me,
it can't be put 'to words.
And I never want to leave.
Everything falls away at your word.
Oh, oh
When I hear you speak to me,
it can't be put 'to words.
And I never want to leave.
You have done what's best for me.
...Took away and made me free.
Oh, oh
When I hear you speak to me,
it can't be put 'to words.
And everything is beautiful.
supported by 15 fans who also own “Well, You've Got My Attention”
Each year the same story: My wife (handmade pop music) and I (black metal maniac) go on holiday. We need some "soft" but honest music for long car drives. It is a tough week in advance to dive deeply into musical scrap to find some pearls like THE CLASSIC CRIME! This album really rocks, sounding more British than American. The first seven songs plus the stormy "Cold Loud Dark" are catchy killers and this is an almost perfect result for an album. A fat pillar in this years's holiday soundtrack! H.L.
supported by 11 fans who also own “Well, You've Got My Attention”
Oh well, Christmas is approaching... time to buy at least one Christmas album! I'm not a fan of Christmas, as it is celebrated today, nor do I like the typical cheesy Christmas music played everywhere these days. So it had to be something special. The "crash test" for this album was the version of "Silent Night", which nobody managed to get right so far. Well, with the exception of "Falling Up". Frankly, as a fan of Jessy Ribordy, I'm not surprised that much... Sven B. Schreiber (sbs)
supported by 10 fans who also own “Well, You've Got My Attention”
Cuts deep and stays with you. There is an earnest honesty in the lyrics that pulls you in. If, like me, you thought this album was merely "good" when you listened to it the first time, give it a few more plays. You might just fall in love with it. Francis Berglund